Josh Brolin Is The New Oh Dae-Su in Spike Lee's 'Oldboy' Remake

After you have word recently that Spike Lee will be the guy behind your camera about the lengthy-looked forward to remake of Chan-wook Park's 'Oldboy,' it appears like Spike finds his leading guy in the one and only Josh Brolin. Since he's finished filming 'Men in Black III' alongside Will Cruz (who had been a lengthy-rumored option for the role) but still includes a part in Jason Reitman's 'Labor Day' to defend myself against, Deadline is confirming that Brolin will begin filming 'Oldboy' in June 2012. For individuals not aware, 'Oldboy' would be a 2005 South Korean revenge film in regards to a middle-aged father who finds themself kidnapped and held captive inside a makeshift prison for fifteen years with no explanations or any connection with the outdoors world. Eventually he finds themself launched back to society and starts searching everywhere to exact his revenge on whomever locked him up. Still not sure on the release date or any extra casting news, but when he plays his cards right, we believe this may be the role that finally will get Brolin that Oscar. Tough to top exactly what the great Min-sik Choi did using the role, but as lengthy as he's awesome with raw octopus, Brolin should work. What exactly would you think about Brolin as Oh Dae-Su? [via Deadline] Photo thanks to Getty Images.

Japan comic axed over mob ties

Tokyo -- Shinsuke Shimada, a comedian and emcee who has been ubiquitous on Japanese TV for decades, quit showbiz Tuesday after cellphone emails came to light revealing his too-cozy relationship with an unnamed gangster. His agency, Yoshimoto, has given him the heave-ho. The networks airing the six shows that Shimada hosts have been thrown into a tizzy since few episodes are in the can and plans for alternatives are not yet in place. Fuji TV, which hosts a Shimada quizshow, has recorded episodes through Sept. 7 but does not know if it will air them. TV Tokyo, which broadcasts a local version of "Antique Roadshow" with Shimada as emcee, has pulled the show skedded for Wednesday and will air another program. It is mulling what to do next week. The NTV network, which skeds two Shimada variety shows in primetime, and TBS, which presents one, are also studying their options. Japanese TV talents frequently lose jobs or even careers for missteps that would be considered minor in Hollywood and elsewhere. Shimada, for example, didn't brake a law, but contact with the underworld is considered taboo at his elevated plane in the showbiz universe. Contact the Variety newsroom at news@variety.com

Rhianna to Guest about the Simpsons

Rhianna Prepare, Little Monsters: Lady Gaga's going to get animated.The singer will guest-star as herself inside a 2012 episode from the Simpsons, Entertainment Weekly reviews. Gaga recorded her lines Monday for that episode."I make music, however i avoid voice-overs every single day each week, as well as their figures are extremely perfectly convincing and sincere and wild and funny, I needed to help remind myself constantly from the truthfulness from the humor," Gaga states. "That is what I had been trying to pay attention to, not wearing a personality an excessive amount of and extremely being as sincere when i could using the lines."When are you able to next catch Rhianna on television, online or when needed? Add her for your Watchlist and you will know for sureIn the episode, known as "Lisa Goes Gaga," Gaga involves Springfield to cheer up Lisa with the energy of speech, song along with a expensive mob after learning the city is "teeming with low self-esteem." She also eventually ends up kissing Marge. "I play some a slut," Gaga quips. "The apple does not fall not even close to my artistic tree."The gig was "among the best things I have ever done," she states. "My dad's most likely likely to do 80 backflips once the episode arrives."May Be The Simpsons in your Watchlist? Add it as well as your other faves now and not miss an episodeAdded series creator Matt Groening: "Because the beginning, I have always aspired to dress in probably the most legendary personas in our time, and she's it."The 23rd season from the Simpsons premieres Sunday, Sept. 25 at 8/7c on Fox.

Indiana State Fair's Sugarland Concert Stage Collapse Claims Seventh Victim

INDIANAPOLIS -- A cheerleading coach from Ohio has died from head injuries she suffered when a powerful storm toppled a stage at the Indiana State Fair, making her the seventh person to die in the tragedy, the coroner's office said.our editor recommendsSixth Person Dies From Indiana State Fair Stage CollapseSugarland Concert Stage Collapse Leaves at Least Four Dead (Video)Indiana State Fair Officials: Sugarland Stage Collapse a 'Freakish Act of God'Sara Bareilles Calls the Indiana State Fair Tragedy a Bad DreamIndiana State Fair Hires Engineering Firm to Investigate Sugarland Stage CollapseJanet Jackson, Lady Antebellum Cancel Indiana State Fair Performances, Maroon 5 Plan Benefit Show Meagan Toothman, 24, had been scheduled to undergo organ donation surgery Monday afternoon. A statement from the Marion County coroner's office confirming Toothman's death Monday night did not mention if that surgery had taken place. The Associated Press left messages with the coroner's office and police. Toothman's family had said in a Web journal entry that organ donation surgery would "provide gifts of sight, health, and life to dozens who are in need." Doctors put Toothman into a coma Aug. 15 to try to ease the bruising and swelling on her brain. "Late last night it became apparent that our Meagan was no longer with us," the family wrote Monday. "The decision was made to allow to her to be at peace." Toothman had been the head cheerleading coach at Turpin High School in Cincinnati. "The outpouring of love and hope ... was an inspiration to all of us to keep her fighting," her family said. "We hope that she will continue to touch more lives in the same way through her passing." Roeland Polet said his wife, Jill Polet, and their older daughter, Jaymie, had attended the concert with Toothman, and that both suffered multiple fractures when the stage collapsed. Jaymie was a cheerleader at Turpin High School and had planned to try out for cheerleader at Indiana University, where she is enrolled to start this fall. "It's horrible. It is devastating for my family. For my daughter, she was like a big sister. They were extremely close," Polet said. Polet said IU officials came to the hospital Sunday with T-shirts and banners for Jaymie. Strong winds toppled a stage onto a crowd of fans Aug. 13 as they waited for country band Sugarland to perform. Three fans and a security guard died at the scene, while a fourth fan and a stagehand later died of their injuries. Some four dozen people were hurt, many seriously. It was not known Monday how many of those injured in the stage collapse remained hospitalized. State police stopped providing updates on the injured last week and hospitals have not provided reports on the condition of those injured. Related Topics

Summer time Holiday

A wonderful 60s Musical - 4 London Bus mechanics start an offer with London Transport. They are doing up a double decker London Bus, drive it around Europe like a hotel and when they create it they'll own and manage an entire fleet. While on the highway french get 3 ladies whose vehicle stops working and provide to consider these phones their next singing job in Athens. Additionally they get a stowaway. A youthful, American boy. Meanwhile, a youthful American female singer went missing. Her mother (who is an extremely ambitious lady) and her aid go ahead and take story towards the press also it helps make the top of the page. They are doing all they are able to to create the storyline run as lengthy as you possibly can, including misdirecting public transit up an very steep Yugoslavian hill. We discover the youthful American boy is really the youthful American girl who's missing. Mayhem develops because the lead character, Don (High cliff Richard) falls for Barbara. Eventually, once the 8 bus riders achieve Athens, they are charged with kidnapping. Before her mother along with a Ballroom full of world-press, Barbara and Don declare their fascination with one another and also the mother accepts (after understanding how 'big' Don will end up). Once the film finishes, all eight individuals are in a Grecian beach and greatly taking pleasure in their deserved and needed holiday!

Bill Paxton Joins Kevin Costner in History Miniseries 'The Hatfields and McCoys'

History miniseries The Hatfields and McCoys adds Golden Globe nominee Bill Paxton to its cast.our editor recommendsBill Paxton 'Wasn't Happy' With 'Big Love' Finale Ending, Producer Says (Video)Bill Paxton Joins Kevin Costner in History Miniseries 'The Hatfields and McCoys' The actor, who is set to play Randall McCoy, will join Oscar winner Kevin Costner who was tapped in May toproduce and star as "Devil" Anse Hatfield. Kevin Reynolds (Red Dawn, The Count of Monte Cristo, Robin Hood: Prince of Thieves) is attached to direct. The project, which will center on the bloody hostilities between two clans that escalated to the point of near war between two states,will air next year, the 150th anniversary of the country's most infamous family feud. It is part of the largely unscripted cable network's push to move into the potentially brand-enhancing miniseries space. Despite an early misfire with The Kennedys, which ultimately aired on the ReelzChannel, History is also readying efforts including The Bible, a mini from Mark Burnett. The miniseriescomes from Leslie Greif's Thinkfactory Media, which also counts History'sMounted in Alaskaand A&E'sGene Simmons: Family Jewelsamong its credits. Paxton, whose past projects include Big Love, Apollo13 and Titanic, is repped by WME. Email: Lacey.Rose@THR.com; Twitter: @LaceyVRose Related Topics Bill Paxton History Kevin Costner

You Shouldn't Be Scared Of The Tub Within This 'Don't Hesitate From The Dark' EXCLUSIVE Clip

The Guillermo del Toro-created "You Shouldn't Be Scared of the Dark" might warn you to definitely look out once the lights set off, but, based on MTV's exclusive clip in the approaching horror movie, it is recommended to be careful when you are within the bath too. Everybody who updated directly into tonight's season finale of "Teen Wolf" (and that is everyone, right?) have previously seen this clip, as well as the relaxation individuals available, the scene showcases "You Shouldn't Be Scared of the Dark's" make of horror. The clip is known as "The TubInch and, out of the box expected, happens when leading lady Bailee Madison takes a soak. However when this film's darkness-cloaked baddie movies from the bathroom light, she knows she's set for a scare. Don't be concerned, the above mentioned scene does not have something that could make you jump from your skin in fear, however it certainly set this Movies Blog author ill comfortable. It's obvious out of this clip the animals haunting Madison's character Sally aren't ones that'll be revealed in early stages in "You Shouldn't Be Scared of the Dark." In my experience, that is what makes horror movies the most frightening, also it appears a attempted-and-true method to build tension. In the end, you will find there's lot to fear with what we can not see. "Do Not Be Scared of the Dark" follows Sally after she's delivered to accept her father and the new girlfriend, performed by Guy Pearce and Katie Holmes. During her new house, Sally finds out animals that are looking to assert her among their very own. Our guess? They merely emerge when it is dark. What have you think about this "You Shouldn't Be Scared of the Dark" clip? Inform us within the comments section below or on Twitter!

Brooke Burke & David Charvet Tie The Knot

LOS ANGELES, Calif. -- After a lengthy engagement, Brooke Burke has finally wed David Charvet. The Dancing with the Stars co-host, 39, married her fiance of five years, former Baywatch star David Charvet, on Friday, according to Life & Style. The longtime couple said I do aboard a yacht in St. Barts, the mag reported. Brooke seemed to hint at the wedding news on Saturday morning, Tweeting, morning tweeties. Waiting for LA to wake up.big news to share. Brooke and David began dating in 2005, and became engaged in 2006. They have two children together daughter Heaven, 4, and son Shaya, 3. Brooke also has two daughters Neriah, 11, and Sierra Sky, 9 from her previous marriage to plastic surgeon Garth Fischer. A rep for Brooke was not immediately available for comment on the wedding news when contacted by Access Hollywood on Friday.Copyright 2011 by NBC Universal, Inc. All rights reserved.This material may not be published, broadcast, rewritten or redistributed.

Cinemax Renews True Bloodstream For Season 5

FIRST Released: August 11, 2011 2:05 PM EDT La, Calif. -- Prepare for more True Bloodstream! Cinemax has restored the hit vampire series starring Anna Paquin, Stephen Moyer and Alexander Skarsgard for any fifth season, the network introduced on Thursday. I'm thrilled that True Bloodstream is constantly on the have a phenomenal reception from both customers and experts, Cinemax programming leader Michael Lombardo stated inside a statement. [Showrunner] Alan Ball and the gifted team have devised the finest thrill ride on television. Production about the fifth season, that will boast 12 episodes, will start later this season in La. The brand new season will debut in summer time 2012. I remain amazed and delighted through the enthusiasm in our audiences, Ball added. I cant imagine getting more enjoyable than this. The show in line with the Sookie Stackhouse books by Charlaine Harris is presently at the time of airing its 4th season on Cinemax. Copyright 2011 by NBC Universal, Corporation. All privileges reserved.These components might not be released, broadcast, rewritten or redistributed.

Man Threatens To Jump Off New York's 30 Rock Before Surrendering

The usual bustle in the streets and sidewalks around New York's famed Rockefeller Plaza was halted for about an hour this afternoon after an unidentified man scaled the glass wall of the building's 66th-story observation deck and threatened to jump. Police and fire officials blocked off parts of 5th Avenue and West 50th St. as the man perched on the building's ledge; he eventually surrendered to authorities, but not before throwing several items to the street below.An NBC producer told the New York Daily News that 30 Rock's most famous tenant, NBC, had a live feed of the scene showing in one of the network's newsrooms. "The office was incapable of working once we caught wind of this guy," he said.

Anna Christie

A Donmar Warehouse presentation of a play in two acts by Eugene O'Neill. Directed by Rob Ashford. Anna Christopherson - Ruth WilsonMat Burke - Jude Law Chris Christopherson - David Hayman Marthy Owen - Jenny Galloway Larry - Henry Pettigrew Johnny the Priest - Paul Brightwell First Longshireman - Michael WaltersSecond Longshoreman - Matt Wilman Postman - Robert LonsdaleThe sea roars, plumes of light ignite billowing fog, rain cascades down the back of the set, cries of the shipwrecked rend the air, bodies of survivors crawl up from waves. Suddenly, like a brutish, wounded animal hurled up from the deep, Jude Law's gasping, soaked, semi-naked body heaves itself shuddering on to the deck, skidding down the vertiginously high rake of Paul Wills' astonishingly versatile set. O'Neill didn't write the stunningly staged storm scene, but it's crucial to Rob Ashford's visionary staging of "Anna Christie." Ashford's grip on this often melodramatic story of redemption is evident right from the opening. As Howard Harrison's chilly lights cut across the Donmar's bare thrust stage, actors surge in, filling the house with energy as they build the dockside drinking den beneath Adam Cork's suggestive, rising soundscape. The mix of literal location and a more mythic, sensory world not only speaks to O'Neill's self-conscious poetry; it charges up what is often a static play. Flicking cigarette ash away with neurotic abandon, pale Anna (Ruth Wilson) teeters in, stung with exhaustion. Her lipsticked gash of a mouth hanging slightly open, she looks both young and worn-through as she surveys her future, cracked as it is by her past. After 15 years in a horror-filled childhood on a farm, she's desperate for rest. She has since been working as whore, a fact kept from her enraptured, staunchly sentimental father, Chris Christopherson, played with fierce authenticity by a weather-beaten David Hayman in a gruff, perfectly sing-song period Swedish accent. And when the storm washes stoker Mat Burke (Law) aboard her father's coal barge, it's clear from their electrifying connection that he and Anna are on opposite sides of a fated union. O'Neill was never a writer to embrace understatement, and there's not a single thought in this play that he isn't at great pains to overexpress. That explanatory nature is further complicated by O'Neill's love of dualities -- Mat's yearning for love on land vs. the love of the sea, Anna's "depravity" vs. her idealized innocence, the tension between her hidden past and his dreamed-of future. To attempt to naturalize or, rather, neutralize all that into a comfortable middle range would render it absurd, which is why Ashford doesn't shrink from finding laughs in Christopherson's constant references to the devil that is the sea, and also why he encourages his actors to embrace the elemental nature of the writing. In true O'Neill fashion, the lovers' mutual longing is dressed in torment. As she struggles between self-disgust and flickers of wrenching hope, Wilson ricochets hypnotically between taut physical defiance and tremulousness without ever toppling into overt display, a restraint that keeps audienecs guessing. When Mat's vision of her is shattered by the revelation of her whoring past, Law hoists an iron bedstead aloft and slams it down, but never lets his anger boil over into indiscriminate, actorly shouting. Enraged by the wheedling father who stands between them, he literally picks him up, making Hayman look like Tom Thumb. But Law, going for broke with a rich Irish accent, also reveals Mat as a naive dreamer. When he tells Anna "I'd rather be friends with you than anything else in the world," he directs his longing out at the sea, partly out of shyness and partly because the ocean's haunting presence ironically represents security: It's all he truly knows. The production's hallmark is its boldness. This is a creative team working in remarkable harmony. The clarity of the thinking shows right through Wills' costuming, which gives the sailors necessary heft and weigh -- except Hayman, whose baggy clothes help him look hollowed out from the inside, and Anna, whose translucent fabric gently emphasizes her fragility, a quality highlit by Harrison wrapping her in toplight. "Anna Christie" is rarely staged, largely due to its ending awash with dangerously unearned emotions. But these actors bring such three-dimensional conviction to the play that unexpected hope is tempered by a serious ache of sadness. Ashford's grippingly rooted, operatic production not only makes the best possible case for this seriously flawed drama; it makes you long to see what the helmer might do on the operatic stage proper. "Peter Grimes," anyone?Sets and costumes, Paul Wills; lighting, Howard Harrison; music and sound, Adam Cork; production stage manager, Michael Dennis. Opened, reviewed Aug. 11, 2011. Running time: 2 HOURS, 30 MIN. Contact David Benedict at benedictdavid@mac.com

Russell Crowe Gets Corrupt in 'Broken City'

Russell Crowe has had a hard time lately. His last four films -- 'Body of Lies.' 'State of Play,' 'Robin Hood' and 'The Next Three Days' -- have all been inauspicious, though 'Robin Hood' pulled in big boxoffice (no thanks to Crowe's acting). That may be remedied by his next projects, which include his role as Jor-el in 'Man of Steel' and the just announced co-starring gig opposite Mark Wahlberg in the thriller 'Broken City.' According to Deadline, Wahlberg plays an ex-cop-turned-private detective hired by the mayor (Crowe) of a big city to see if his wife is cheating on him. The private eye confirms those suspicions, and when the mayor's wife's cheating partner ends up dead, the private eye immerses himself in the mayor's business and uncovers a real estate scandal and a lot of big city corruption. Allen Hughes ('Menace II Society,' 'The Book of Eli') will direct the independent film which is budgeted for $60 million and is being bankrolled by Emmett/Furla Films. That company is investing heavily in features lately, injecting cash into the Rob Cohen-directed Tyler Perry-starrer 'I, Alex Cross,' the Nicolas Cage and John Cusack fact-based Alaskan murder mystery 'The Frozen Ground,' the Stephen Fears-directed 'Lay the Favorite,' starring Bruce Willis, Catherine Zeta-Jones, Rebecca Hall and Vince Vaughn, and several other projects. 'Broken City' begins production in November.

Lou

Living in rural New South Wales, working-class single mother Rhia is struggling to evade debt collectors and raise three young daughters. The eldest, and hardened beyond her years, Lou blames Rhia for the departure of her father, who walked out 10 months ago and hasn't been seen since. Mother-daughter relations hit bottom when Rhia takes in Doyle, her father in-law, who is in the beginning stages of Alzheimer's. Doyle turns Lou's initial hostility around with exciting tales of his South Seas adventures. But coursing deepest in his mind are fractured memories of Annie, his late wife. Before long, Doyle "sees" Annie in Lou and imagines he is courting her all over again.

The Hunger Games Sequel Catching Fire to Hit Theaters Thanksgiving 2013

The Hunger Games Before The Hunger Games have even begun, the sequel is already on its way. Catching Fire, the second film in the trilogy based on Suzanne Collins' novels, will hit theaters November 22, 2013. One of the most buzzed-about film series since Harry Potter bid its farewell, The Hunger Games is set in a dystopian future where a cruel government holds a yearly televised battle to the death. The film's heroine, Katniss Everdeen (Jennifer Lawrence) takes her sister's place in the competition against 23 other children, including fellow District 12 resident, Peeta (Josh Hutcherson). The film, also starring Liam Hemsworth, is currently in production and will be releasedon March 23, 2012. First look: Meet the men of The Hunger Games Catching Fire continues the story, following what transpires in the dramatic finish of the 74th Hunger Games that may have sparked a rebellion amongst the districts. "The magical thing about the Hunger Games trilogy is that the books have such a vastly broad appeal," said Joe Drake, co-COO of Lionsgate, in a statement."The stories truly offer something for everyone, and the period around the Thanksgiving weekend is such an opportunity for families and friends to make an event of going to the movies."

William Jacobson dies at 91

Comedy writer William (Bill) Jacobson, who worked as staff or head writer for performers including Ed Wynn, Eddie Cantor, Pat Boone, Patti Page, Red Buttons, Maurice Chevalier, Victor Borge and Arthur Godfrey as well as for "Candid Camera," died July 19 in Encinitas, Calif. after a long illness. He was 91. As head writer of "The Kate Smith Show," he hired Woody Allen as a staff writer, and he provided valuable exposure for such entertainers as Johnny Mathis and Jackie Gleason as well as the musical theater team of Sammy Cahn and Jimmy Van Heusen. Jacobson was a contemporary of and worked alongside Neil and Danny Simon, Larry Gelbart and Yip Harburg. He was also associated with director-producer Max Liebman's 1954 live TV adaptation of the operetta "Babes in Toyland." After early work as a journalist in New York, Jacobson began his comedy writing career providing material for nightclub comics during the 1940s. From there, he progressed to scripting "The Henry Morgan Show." When Universal brought Jacobson to Los Angeles as a creator, writer and producer, he developed, wrote and produced the NBC comedy series "90 Bristol Court" and also worked with those who developed "The Munsters." In the 1970s, Jacobson turned to acting, guesting on shows including "Charlie's Angels," "The Paper Chase," "Quincy" and "Lou Grant." In his later years, Jacobson remained active as a writer, winning a Harper's magazine competition with his article "Machine Ascendant: The Progress of Progress." Born in Utica, N.Y., Jacobson did not receive a formal college education, instead preferring to take courses in subjects and at institutions that interested him; he attended the U. of Buffalo, Oberlin, Harvard and Cornell. He is survived by his wife of 43 years, actress Bobbi Jordan; a daughter; a sister and a brother; a stepson; and two grandsons. A memorial service will be held Wednesday, Aug. 17, at 1 p.m. at Self Realization Fellowship Temple in Encinitas. Contact Variety Staff at news@variety.com

Joanna

An Akson Studio, Narodowe Centrum Kultury and Polish Film Institute production. Created by Michal Kwiecinski. Executive producer, Katarzyna Fukacz-Cebula. Directed, compiled by Feliks Falk.With: Urszula Grabowska, Sara Knothe, Joachim Paul Assbock, Stanislawa Celinska, Monika Kwiatkowska, Halina Labonarska, Iza Kung, Kinga Preis. (Polish, French, German dialogue)In "Joanna," the titular heroine endures constant stress by unlawfully holding a Jewish child throughout the German occupation, possibly right for the lastest film from Polish helmer Feliks Falk, whose operate in the seventies is most carefully connected using the nation's Cinema of Moral Anxiety movement. This serious, well-behaved drama reps a decent wade right into a bleak historic chapter, but can't quite avoid a feeling of familiar terrain trod more memorably. Pic's focus on closeups and something interior locale works very best in broadcast configurations. Joanna (Urszula Grabowska) is definitely an educated Warsaw resident reduced to menial work through the war time economy, while a housing shortage brings pressure on her behalf to consider additional tenants in to the spacious apartment she once distributed to a husband, missing since he was conscripted 2 yrs earlier. Eventually throughout her waitress change in a coffee shop, her clients incorporate a nervous youthful lady (Halina Labonarska) who's embarked out against her better judgement like a birthday treat for 7-year-old Roza (Sara Knothe). Their worst fears materialize once the establishment is raided by government bodies looking for Jews. Mother and daughter are separated, the first kind arrested as the child hides inside a chapel next door. She's later found there by childless Joanna, who impulsively takes the lady home for safekeeping and makes covert efforts to follow the parent's location. Child and protector rapidly bond. Already well familiar with making herself scarce, Roza understands how to stay quiet and from neighbors' sight. However the risk remains ideal for each of them, increased by Joanna's nosy landlady, the potential of having to look for a co-tenant, and possible military inspection -- all of the which indeed involves pass, departing Joanna to in some way deflect the romantic advances of the Nazi officer (Joachim Paul Assbock). A couple of a lot of crises stack up, making the pic progressively seem like a melodramatic showcase for star histrionics. (Grabowska duly won actress nods in the Moscow Fest and Polish Film Honours.) A number of Roza's dialogue is a touch too precocious, despite Knothe's solid perf. Still, Falk with confidence imbues the pic using the solemn weight essential for the storyline to attain a minimum of a number of its preferred tragic energy. Color scheme is moderate, score sometimes a tad overbearing. The very first Bay Area Jewish Fest screening was on forecasted HD, because of a shipping delay within the 35mm print.Camera (color), Piotr Sliskowski editor, Krzysztof Szpetmanski music, Bartek Gliniak production designer, Anna Wunderlich costume designer, Magdalena Biedrzycka seem (Dolby Digital), Maria Chilarecka casting, Ewa Brodzka. Examined at Bay Area Jewish Film Festival, This summer 27, 2011. (Also in Moscow Film Festival.) Running time: 108 MIN. Contact the range newsroom at news@variety.com